Oldal 292 [292]
OCR
TSERENTULGA TÜMENBAYAR All the above proves that the tradition inviting deities and ancestors by appeasing them with music and song dated back to ancient times. Another vital work by G. Birwaa is the modern melody called Reciting mantra for 10000 times.” This song of pray includes the recitation of mantras (Skr. mani, Khal. maan’),*° spells (Tib. dmigs brtse ma, Khal. megdsem)*! and incantations (Skt. dharani, Tib. sngags, Khal. tarni)°? melodiously which can make not only the performers, but also the listeners to feel ease, harmony, understanding, care and compassion. B. Mönkhbold’s Activity The tradition was successfully inherited to B. Mönkhbold, the laureate of state prize of Mongolia, who created several works by adapting to the Mongolian morin khuur ensemble and to western chamber music. When creating those works, Mönkhbold used modern music style by considering musical technique, musical composition and sounds. In this sense, his pieces of work truly reach the hearts of the audience. Musicologist M. Mongonsitikh,*? National University of Mongolia, highlighted the Canto for Purification, the work for morin khuur ensemble ... sounds as simultaneous and monotonous™ reciting by several monks according to one general melody, but with various dynamics instead of being performed with various tempos and rhythms. Religious melody requires harmoniously set system of notation, and a fixed form of recitation. Generally, woodwind and percussion instruments have been used in religious rituals. However, the work Canto for Purification is very peculiar because it is a progressive beginning to provide the study of the preservation of Lamiin Gegeen’s melody, as well as its restoration and development, and inheritance with scholarly explanations and interpretations. Furthermore, the researcher explained this work in terms of Music Studies," ® Yündenbat, S.: Lamiin gegeenii shawiin tüükh, 142: Starting from 16" of the middle month of autumn for 3-5 days, many people gathered, and they altogether recite mantras 10000 times. First, nuns begin reciting, and then many monks as /owon joined that activity of recitation and it is, as if a thousand people choir, echoes of which trembled the temple. Dagwadorj, D.: Mongoliin shashin surtakhuunii tailbar tol’. Ulaanbaatar 1995, 60: Mantra of Avalokitesvara; Sükhbaatar, O.: Mongol khelnii har’ tigiin tol’, 150. >! Sükhbaatar, O.: Mongol khelnii khar” ügiin tol’, 162. Dagwadorj, D.: Mongoliin shashin surtakhuunii tailbar tol’, 64: One kind of recitation and prayer through meditation by considering Tsongkhapa, the founder of the Yellow stream of Buddhism as equal as original three deities; Stikhbaatar, O.: Mongol khelnii khar’ tigiin tol’, 204. Möngönsükh, M.: Ariusakhuin duurislaas Gandirsiin egshgiig mederne. Opendoor Ne 245, May 2019, 24. Sole voice. °° Khégjmiin dsuragt tailbar tol’. DK — Monsudar Admon, Ulaanbaatar 2013, 379: Music work or difference of sound velocity of its parts. 56 Britannica shireenii tailbar tol’. Vol VII. NEPCO, Ulaanbaatar 2011, 3651: Musicology. Scientific and research study on music, at the end of the 18" century, at the beginning of the 19" century, many amateurs as Ludwig von Kokhel studied music. There required professional mastery and skill to read historical documents and manuscripts related to the development of ancient music. The first and significant work concerning musicology was the first publication of the completed works of Bach. 290
