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ByPxAH BATII B KAJIMbILIKUX CKA3KAX (MeHKkeHoBa, KepMenH) ..….................................... 122 AJITAÚH VPHAHXAÜH TOT99H XYBEUITAA/IBIH TVXAÜ TYYXUÜH AMAH VIAMXAJIAJIBIH OTYYJIDXYÜ HE (Cp6a, OHAPEÏ) esse 129 Traditional rituals “GESER-ÜN SANG”-UN BÜTECE-YI DÜKÜM SINJILEKÜ NI (AValayU)...................................... 149 CENGGUNjABA’s Worsuip: AN ANCIENT RITUAL IN MONGOLIA IN THE 19TH CENTURY (Odbayar, Ganbaatar) sien 154 MORTOJIWYY/IBIH CYCOT BAILIPOIMAH TOJIOB BAÂJIAJI (IIlyposcypou, b. — AnraiiOaarap, XK. - Monxnanparr, B.) eeeeeeeeeeeeereeee 169 Tradition of eminent persons MOHTOI JIAM HAPBIH T'OPOJI 3YPAT HOM BYTDOU (BSIMBAA, PATYAATHÜH) 0... eeeeeeeeeeeeeeeee 183 N.F. Katanov’s TRAVEL TO THE URYANKHAI (1889) AND HIS MONGOLIAN STUDIES (Valeev, Ramil M. — Martynov, Dmitry E. — Martynova, Yulia A. — Valeeva, ROZA Z.)..cccccccccesesscesseseeseeseeseeseeseeseesecseeseesecsecsecsecsecsensecsecsecsecsecseeseeeeneenaes 221 MonToJI [IAJIAÜ JIAM BA Monrojrgyyn (JHxu31orT, JlyrapcypoHrHÚH) .......................... 227 Traditional art, iconography and music THE RED PROTECTOR DEITY oF MONGOLIA (Möngönchimeg, Batmönkhb) ....................... 251 XAJIXBIH 3ACATT XAH AÜMTHŰH JKAJIXAH3 XYTATTBIH IIABHÜŰH HYTTHÜH XOEP 3yPAT (MexxGaarap, ImxkupôaaTaperx) 259 THE UNIQUE PITCH AND TONE ARRANGEMENT IN M44N’ AND MEGDSEM (Narantsatsral, Delgerkhüü)........................................... 273 TUNING WESTERN AND EASTERN Music By G. BIRWAA AND B. MONKHBOLD WITH ACCOMPANIMENT OF Musical INSTRUMENT OF BUDDHISM (Tümenbayar, Tserentulga) ss 278 TRADITION AND INNOVATION Literature and language “YX9IT”-HÜAH TYXAÏ OÏJITOIT VPAH 30XHOJJI OYPCJIOTOCJH ACYYJAJIN [Jo. L[DHJOKABBIH “MaHr3”, Asafi KVHAHPAEBBIH “1896” OTYYJUIOTHŰH XKUIIID39H /133P (Pu3A, BAHTABHIIBIH) ByPXHbI INAIIMH XUÜTIIN MOHTOJIBIH OPYUH YENMÜH POMAH “MOHTOJIbIH OPUHH YEMÜH POMAHJ HIDPCOH BYPXAH IHAIIUHBI Y3DIT” (XACXYY)................................. 307 THE RENEWAL OF MONGOLIAN BUDDHIST TERMINOLOGY (Péter, Alexa) ............................ 317 Monasteries and fine art TAJITAXHA Tati [/DMAH XYPJIBIH XOÜP BYPX XAJIRJIhHA TYYXKAC (KoBaeBa, bawp) .......... 329 CREATING MONGOL DSURAG AND RE-CREATING BUDDHIST ART TRADITION IN MONGOLIA (Lang, Maria-Katharina — Tsetsentsolmon, Baatarnaran) ...................................... 333 COMBINING THE ANCIENT AND THE MODERN: PROVIDING A DOCUMENTED RECORD OF RussIA’s PAST AND PRESENT MONASTERIES WITH OPEN ACCESS ON THE WEB (Syrtypova, Surun-Khanda D. — Byrne, Susan C.) 1990 OHOOC XONMINNX CYM XMÜAYYAHUÜH CAPTIATA3X YENÜH HOXIOJI BAMJAII (YHapax, ANTAHNIUITHÄRH)..eeeeeseessensensneesnennesnnnnennnsnensennnenneennnsnnnsennnsnonsennnne 371
