Ugrás a tartalomra
mobile

L'Harmattan Open Access platform

  • Keresés
  • OA Gyűjtemények
  • L'Harmattan Archívum
Magyarhu
  • Englishen
  • Françaisfr
  • Deutschde
BejelentkezésRegisztráció
  • Kötet áttekintése
  • Oldal
  • Szöveg
  • Metaadatok
  • Kivágás
Előnézet
022_000076/0000

On the Concept of Alien

  • Előnézet
  • PDF
  • Metaadatok mutatása
  • Permalink mutatása
Szerző
Zoltán Gyenge
Tudományterület
Filozófia, filozófiatörténet / Philosophy, history of philosophy (13033)
Tudományos besorolás
monográfia
022_000076/0057
  • Kötet áttekintése
  • Oldal
  • Szöveg
  • Metaadatok
  • Kivágás
Oldal 58 [58]
  • Előnézet
  • Permalink mutatása
  • JPG
  • TIFF
  • Előző
  • Következő
022_000076/0057

OCR

Thetwo willthus be one. The difference between Hegel and Pseudo Kierkegaard? is precisely that, while for Hegel self-consciousness begins here, for Pseudo Kierkegaard self-consciousness becomes real and authentic in destruction. Or, more precisely, in death. Because in this case, death justifies the self’s existence. (How many of us will treat death like this? Very few.) He perishes in recognition. He dies by dreaming himself into poetry. The fate of Narcissus is that, by recognizing the unity of the two worlds, he realizes precisely that he can no longer be divided into two. That is, his only chance is to fall. His blood does not rain useless to the ground. It is as if Pseudo Kierkegaard is looking at Caravaggio’s famous painting Narcissus (1597-99) as he writes about Narcissus, even though the unfortunate Dane was notoriously not interested in the fine arts: “But looking at the moment changes everything. It brings the storm that completely shatters the soul of the young man. Seeing the image does not mean knowledge, much less understanding, only its infinity increases desire.” Pseudo Kierkegaard 2012. ibid) Is this life? Who knows? Rather, it is destruction itself. Narcissus becomes a work of art. The stranger, the other will become one with the self. And from the blood of narcissus come the flowers bearing his name.”° Caravaggio’s picture is perfect (among other things) because it depicts Narcissus alone. There is no Echo, no nymph, not even a dog beside him. No. Being Narcissus is a lonely “occupation.” Besides Caravaggio, few have perceived this. Perhaps Gyula Bencztir is an exception. The slightly twisted figure 25 Pseudo Kierkegaard is an interesting figure. On the one hand, he is a devoted Hegelian. On the other, he almost definitely uses Hegel and Schelling in an unscientific way, on the principle of “let it fall where it may.” He cannot be taken very seriously. 26 Flowers growing from blood is a favorite motif in Greek mythology. Hyacinth, the son of Spartan king Amyclus, was the lover of Apollo, who accidentally struck him with a discus and killed him. From the blood of Hyacinth grew the crimson hyacinth flower.

Szerkezeti

Custom

Image Metadata

Kép szélessége
1595 px
Kép magassága
2422 px
Képfelbontás
300 px/inch
Kép eredeti mérete
908.54 KB
Permalinkből jpg
022_000076/0057.jpg
Permalinkből OCR
022_000076/0057.ocr

Linkek

  • L'Harmattan Könyvkiadó
  • Open Access Blog
  • Kiadványaink az MTMT-ben
  • Kiadványaink a REAL-ban
  • CrossRef Works
  • ROR ID

Elérhetőség

  • L'Harmattan Szerkesztőség
  • Kéziratleadási szabályzat
  • Peer Review Policy
  • Adatvédelmi irányelvek
  • Dokumentumtár
  • KBART lists
  • eduID Belépés

Social media

  • Facebook
  • Instagram
  • LinkedIn

L'Harmattan Open Access platform

BejelentkezésRegisztráció

Bejelentkezés

eduId Login
Elfelejtettem a jelszavamat
  • Keresés
  • OA Gyűjtemények
  • L'Harmattan Archívum
Magyarhu
  • Englishen
  • Françaisfr
  • Deutschde