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022_000071/0000

Initiation into the Mysteries. A Collection of Studies in Religion, Philosophy and the Arts

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Irodalomelmélet, összehasonlító irodalomtudomány, irodalmi stílusok / Literary theory and comparative literature, literary styles (13021)
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Collection Károli. Collection of Papers
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tanulmánykötet
022_000071/0292
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022_000071/0292

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INITIATION AND ITS TRAVESTY IN THE RIVER BY FLANNERY O’CONNOR way, the narrator calls him Bevel, although it has been stated that his real name was Harry. Perhaps the either-or refers to this seemingly insignificant distinction, i.e. whether he is to be seen as Harry or as Bevel. According to the Merriam-Webster Dictionary,” bevel is a slanted surface or edge ona piece of wood or glass. A bevel is typically used to soften the edge of a piece for the sake of safety, wear resistance, or aesthetics; or to facilitate mating with another piece. Would this definition soften the hard edge of the parable? Or does it perhaps make it even harder to accept? It seems that by definition a bevel facilitates the mating of two surfaces, perhaps turning the imperative of the either-or to an acceptance of both, conjoined. In my interpretation, both the travesty and the mystery are to be taken seriously: one cannot exist without the other in this story, and it is precisely the unconsciously or jokingly chosen name, Bevel, that connects them. Can we then call the boy’s experience a true revelation? I think this cannot be stated from an earthly dimension, and it must be kept in mind that all responses to the story are inevitably from an earthly dimension! I would suggest the word “Bevelation” instead: which would be true to the individual story, the child’s own, unique, unrepeatable case, which cannot under any circumstances be universalized, only to the extent to which each and every human being might experience the surprising, shocking, unique, and unrepeatable case of his or her own. BIBLIOGRAPHY O’CONNOR, Flannery, The Complete Stories, New York, Farrar, Strauss and Giroux, 1971, Forty-first printing, 1996. O’CONNOR, Flannery, Mystery and Manners. Occasional Prose, New York, Farrar, Strauss and Giroux, 1970. GIANNONE, Richard, Flannery O’Connor, Hermit Novelist, Urbana and Chicago, University of Illinois Press, 2000 (paperback edition 2010). Woop, Ralph C., The Scandalous Baptism of Harry Ashfield in Flannery O’Connor’s “The River’ in Joanne Halleran McMullen - Jon Parrish Peede (eds.), Inside the Church of Flannery O’Connor: Sacrament, Sacramental and the Sacred in Her Fiction. Macon, GA, Mercer University Press, 2007. 1% https://www.merriam-webster.com/ «291 + Daréczi-Sepsi-Vassänyi_Initiation_155x240.indb 291 ® 2020. 06.15. 11:04:24

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