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022_000056/0000

Competing Eyes. Visual Encounters with Alterity in Central and Eastern Europe

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Field of science
Antropológia, néprajz / Anthropology, ethnology (12857), Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Társadalomszerkezet, egyenlőtlenségek, társadalmi mobilitás, etnikumközi kapcsolatok / Social structure, inequalities, social mobility, interethnic relations (12525), Vizuális művészetek, előadóművészetek, dizájn / Visual arts, performing arts, design (13046)
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tanulmánykötet
022_000056/0469
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Page 470 [470]
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022_000056/0469

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Visual Representations of "Self" and "Others": Images of the Traitor and the Enemy in Slovak 2010: 38). Feuilletons" and political cartoons from this period also reflect the fact that a large portion of assimilated Jews tried to obtain civic privileges by taking on Hungarian identity (adopting Magyarized names, using the Hungarian [thus Magyar] language, declaring Hungarian nationality, and so on), and that in line with this attitude they supported the ruling liberal party. In the middle of the 1870s these tendencies intensified. As a result of an economic crisis, after 1873 Hungary witnessed a general rise in anti-Semitism, while in Slovak contexts this anti-Semitism was increasingly tied to anti-Magyar rhetoric and images of the Jew mixed in various ways with caricatures of madaréni. Between 1874 and 1875, at the initiative of the Zvolen (the territory of present-day Slovakia) podzupan (county vice-president) Béla Grünwald," three Slovak secondary schools and Matica slovenskä were closed. At this point there began to appear political cartoons attributing to Jews the role of Magyar flunkies committing the national and social injustices that came down on the Slovak people. A high point in anti-Semitic feeling in Hungary came at the start of the 1880s, when public opinion across the country was inflamed by alleged Jewish ritual murders in the town of Tiszaeszlär (in the territory of present-day Hungary).'° On a political level, anti-Semitic discourse became fully institutionalized with the birth of the National Anti-Semitic Party. The image of the Jew in the Magyar anti-Semitic press of the day adopted a racist tone, and cartoons took on bloodthirsty, bestial dimensions, depicting Jews as a biological enemy of Christians. The motif of the bloodthirsty Jewish sachter,” as visualized in these cartoons, appeared in the Slovak Antisemitic Picture Almanac as well as in Cernoknainik. During this period we also find several other visualizations of anti-Semitic motifs in the Slovak and Magyar press. An example is the anti-Semitic stereotype of 14 "This theme was addressed, for example, in the following feuilleton: “A recipe for the proliferation of Hungarians. Take any old Jew, give him a civil baptism and some name like ‘Tuhutmassy’; send him so prepared to Russia where he can marry a Jewess speaking the brotherly tongue of Finnish; domesticate the new couple in Magyarország [i.e. Hungary—translator’s note]; and the result will be beyond all expectation” (Cernoknazntk\880, vol. 3, p. 24). 5 The core of his ideological conviction was a desire to unite the Hungarian nation and struggle against Panslavism, which was presumed to be widespread in the institutions in question. 16 In 1882, a local Jewish sachter (see subsequent note) and fourteen other Jews were accused of a ritual murder. The alleged victim was a 14-year-old Christian girl who disappeared in April 1882, during Easter. According to rumor, she was murdered by Jews who needed Christian blood for the rituals of Passover. Her dead body was found two months later in the Tisza River with no signs of violence, and it became clear that the only witness of the “ritual murder,” a 5-year-old Jewish boy, had been placed under considerable manipulative pressure. During this time anti-Semitic agitators and political leaders (Győző Istöczy, Geza Onody, and others) excited public opinion against Jews with blood libel accusations, which led to a number of local anti-Semitic acts of violence. In the end, however (August 1883), the accused Jews were found innocent by the court (Rybatova 2010: 51-53). 17 ‘The Sachter or shochet was a butcher who ritually slaughtered, or oversaw the slaughter of, animals for Orthodox Jews. In this case, the cartoons likely allude to the sachter accused in Tiszaeszlar. 467

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