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022_000055/0000

War Matters. Constructing Images of the Other (1930s to 1950s)

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Field of science
Antropológia, néprajz / Anthropology, ethnology (12857), Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Társadalomszerkezet, egyenlőtlenségek, társadalmi mobilitás, etnikumközi kapcsolatok / Social structure, inequalities, social mobility, interethnic relations (12525), Vizuális művészetek, előadóművészetek, dizájn / Visual arts, performing arts, design (13046)
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tanulmánykötet
022_000055/0453
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Page 454 [454]
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022_000055/0453

OCR

452 NAM RYN Constructing Images of the Other in Peace and War: Anglo-Saxon Perceptions and Their Relevance to Eastern and Central Europe Warning: beware of secret agents! (Soviet propaganda poster from 1939) US army recruiting poster (H. Ryle Hopps, 1917) Free trade forecast (the Imperial Tariff Reform Committee, Birmingham, England 1903) Two forces (Punch or The London Charivari, 1881) Each eats up the other—the Jew gobbles you all (Lustige Blätter, 1943) The Eternal Jew (F. Hippler, 1940) Jews—exhibition about the development of Jewry and their destructive work in Croatia prior to 10 april 1941—solving the Jewish question in the independent state of Croatia (State Propaganda Office 1942) The traitor (V. Lenepveu, 1899) Election poster “German Christians save Austria!” (B. Steiner, 1920) Anti-semitic image in Krokodil (Vaksberg, 1994) Trotsky slaying the counter-revolutionary dragon (Soviet poster from 1918) Enemies of the five-year plan (V. Deni, 1931) Living Images and Gestures in Wartime: The Other as an Iconoclastic Figure The cross commemorating the January uprising (1863) insurrectionists (Narodowe Archiwum Cyfrowe NAC, 1940) Burning the portraits of the idol of the communist rule, Karl Marx in Narva (Narodowe Archiwum Cyfrowe NAC, 1941) Wierzbowa Street in Warsaw on the side of the Saski Square (Muzeum Niepodlegtoéci, 1939) A wooden synagogue burning in Eastern Poland (Narodowe Archiwum Cyfrowe NAC, 1943) Nazi Commandos set Warsaw on fire 1944 (Muzeum Niepodlegtosci, 1944) March of Russian troops through Lédz (Muzeum Niepodlegtosci, 1915) The nazi troops entering Lviv (Narodowe Archiwum Cyfrowe NAC, 1941) Lithuanian army entering Vilnius (Muzeum Niepodlegtosci, 1939) The Polish soldiers walk away along Nowy Swiat street after capitulation in Warsaw (Muzeum Niepodlegtosci, 1939) The Polish weapons left around the statue of Kilinski by the troops defending Warsaw (Muzeum Niepodlegtosci, 1939) On the way to captivity before leaving weapons (Muzeum Niepodleglosci, 1944) March of Russian prisoners of war (Muzeum Niepodleglosci, 1917) The nazi soldier in the destroyed royal castle in Warsaw (Muzeum Niepodlegtosci, 1939-1945) A stopover of German troops in the village of Michalöwka near Przemysl (Author’s collection, 1916) Holy Cross church in Warsaw, destroyed after the Warsaw uprising (Muzeum Narodowe, 1945) Ruins of the St Florian Church, Warsaw, Poland (Muzeum Niepodleglosci, 1945) Warsaw during the September campaign (Muzeum Niepodlegloéci, 1939) War Propaganda and Humour: World War II German, British, and Soviet Cartoons The headquarters of others (P. Rupprecht (“Fips”), Der Stürmer, 1942) Stalin the hero (E. Schilling, Simplicissimus, 1942) “Tve settled the fate of Jews.”— “and of Germans” (D. Low, The Evening Standard, 1942) The end (Kukryniksy, oil on canvas, 1947-1948) The profane Trinity (A. Johnson, Kladderadatsch, 1942) The spring offensive (E.H. Shepard, Punch, 1942) Total mobilization (Krasnaya zvezda, 1944)

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