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022_000055/0000

War Matters. Constructing Images of the Other (1930s to 1950s)

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Antropológia, néprajz / Anthropology, ethnology (12857), Kultúrakutatás, kulturális sokféleség / Cultural studies, cultural diversity (12950), Társadalomszerkezet, egyenlőtlenségek, társadalmi mobilitás, etnikumközi kapcsolatok / Social structure, inequalities, social mobility, interethnic relations (12525), Vizuális művészetek, előadóművészetek, dizájn / Visual arts, performing arts, design (13046)
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022_000055/0399
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398 Magdalena Sztandara Ideology always entails a symbolic dimension and actions that depict the social and cultural relations in ‘objective’ perspective and ideal conditions. Interestingly, in the case of socialism, the ideological contents were commonly shared by women, who while juxtaposing their personal struggles and achievements, discussing their plans and intentions, incessantly clanged to the Party’s raison d’Etat and expressed their gratitude for living calm and free lives.’ The official power expressly promised to solve all the burning social issues, such as gender discrimination, and thus, one can ask if feminism was needed at all. Because, according to the state officials of the Polish People’s Republic, every citizen was equal, no grass-roots movement was needed for any emancipatory actions. After all, equality was guaranteed in the state constitution and repeated in media propaganda as the will of the people. A good example of such a correlation was the fact that the descriptions of photographed women in the newspaper Kalendarz Ziemi Opolskiej (1953) were literal quotations from the Constitution of the Polish People’s Republic, passed by Parliament on July 22, 1952. The first photograph depicts young schoolgirls, whilst the second shows ‘delighted’ female workers in factories; the captions say, respectively: ‘Citizens of the Polish People’s Republic have equal right to education’ (art. 61) (Fig. 173), and “Woman in the Polish People’s Republic is equal to man in all domains of national, political, economic, social and cultural life’ (art. 66) (Fig. 174). Another photograph depicts a woman holding a baby, which instantly implies a stereotypical figure of the ‘Polish Mother’, with a caption stating: ‘Marriage and family are under the care and protection of Polish People’s Republic. Families with many children are under the special care of the state’ (art. 67) (Fig. 175). One can notice that everyday life, as well as press photographs, still promoted values and beliefs that returned women to their traditional roles. One of the reasons for this might be that women’s obligations were commonly known since they were historically ‘proven’ and preserved by certain social relations as vehicles for understanding the world. Therefore, the exploitation of women as a social group “was presented as both necessary and beneficial to them” (Wtoch 2009: 34-35). Before the war, women’s professional work and employment were considered factors in the decline of family life and the decay of women’s morality. In socialism, on the contrary, the work was a citizen’s duty despite gender identity. In this period, the socialistic government was chiefly focused on implementing ideological plans, > A similar caption appeared in Tiybuna Opolska (1954, vol. 56, p. 1) in the context of International Women’s Day. This is a construction created for the purposes of history—the monumental figure who dedicates herself and her children to the good of the country. The myth of the ‘Polish Mother’ originates in the times when Poland lost its independence; its inseparable feature is the need to invoke the victim. This can be found in the literature, various studies and public discourses, both from the socialist period and the contemporary. The socialistic ‘Polish Mother’ needed to be a brave citizen who raised her children in service of the regime (cf. Kowalczyk 2003; Monczka-Ciechomska 1992).

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