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TERESA ROSELL NICOLÁS BECKETT, Samuel: Proust in Pieces, in Ruby Cohn (ed.): Disjecta, New York, Grove, 1984, 63—65. BECKETT, Samuel: L’image, Paris, Les Editions de Minuit, 1988. BECKETT, Samuel: The Image (trans. Edith Fournier), in S. E. Gontarski (ed.): The Complete Short Prose, 1929-1989, New York, Grove, 1995. BECKETT, Samuel: Krapp’s Last Tape, The Complete Dramatic Works, London, Faber and Faber, 1990, 213-223. BECKETT, Samuel: Three Novels, New York, Grove, 2009. CASELLI, Daniela: Beckett’s Dantes: Intertextuality in the Fiction and Criticism, Manchester, Manchester University, 2005. FEHSENFELD, Martha D. — OvERBECK, Lois M. (eds.): The Letters of Samuel Beckett, 1929-1940, Vol. 1, Cambridge, Cambridge University, 2009. GODEAU, Florence: Image première, image dernière, Marcel Proust, Europe, Revue littéraire mensuelle 1012-1013 (September 2013), 155-163. GONTARSKI, S. E.: Beckett’s Happy Days: A Manuscript Study, Ohio, Ohio State University Libraries, 1977. Harvey, Lawrence E.: Samuel Beckett: Poet and Critic, Princeton, Princeton University, 1970. KAWASHIMA, Takeshi: Conjunction of the Essential and the Incidental: Fragmentation and Juxtaposition; or Samuel Beckett’s Critical Writings in the 1930s, in A. Uhlmann - S. Houppermans — B. Clément (eds.): After Beckett / D’apres Beckett, Samuel Beckett Today / Aujourd’hui 14 (2004), 471-473. KENNER, Hugh: Samuel Beckett: A Critical Study, New York, Grove, 1961. LEE, Vera G.: Beckett on Proust, Romanic Review 69 (May 1978), 196-206. MAUDE, Ulrika: Pavlov’s Dogs and Other Animals in Samuel Beckett, in M. Bryden (ed.): Beckett and Animals, Cambridge, Cambridge University, 2013, 82-93. POTHAST, Ulrich: The Metaphysical Vision. Arthur Schopenhauer’s Philosophy of Art and Life and Samuel Beckett’s Own Way to Make Use of It, New York, Peter Lang, 2008. VAN HULLE, Dirk — NIXON, Mark: Samuel Beckett’s Library, Cambridge and New York, Cambridge University, 2013. + 32e
